I’m Robin, Editor of Misstropolis.
I hope this site brings you some joy and some knowledge (or at least a nice distraction) during this surreal, enlightening and historic time.
I like to write about art, style and purpose. If you have ideas for stories or would like to contribute, I’d love to hear from you.
Thanks for reading!
Misstropolis
Spirit & Style, Inside & Out
The National Museum of Women in the Arts celebrates artists working in all visual mediums. The upcoming A Book Arts Revolution is part of the Women to Watch exhibition series, shining light on emerging artists deserving national and international attention. The 2027 edition will focus on the place of book arts within contemporary art practices — and the MA chapter of the museum fetes the four women selected from our region: Amy Borezo, Sarah Hulsey, Abigail Roher and Anneli Skaar.
An ambitious, collaborative exhibition co-curated by Boston-based art advisory art_works and Los Angeles-based Abigail Ogilvy Gallery, Hard ‘n' Soft explores the contested boundary between rigidity and flexibility in contemporary art, bringing together artists who deliberately subvert the expected properties of their materials.
As Captain Ahab and his crew learn aboard the Pequod, humans cannot bend the universe to their will no matter how narrow their focus or outsize their power. In Ahab’s Head: American Vengeance at the New Bedford Whaling Museum, multidisciplinary artist Heidi Whitman considers contemporary violence, egotism, and fate through the lens of Herman Melville’s Moby Dick, Or The Whale.
Masako Miki’s Midnight March invites us to immerse in an alternate cosmos entirely of her making, where binaries disappear, ambiguous shapes replace known figures, and ancient narratives evolve to meet contemporary anxieties.
Don’t miss your last chance to see Esteban del Valle’s stunning paintings and works on paper at LaMontagne Gallery. thanks for all the conditional love has been extended through tomorrow, January 24th.
In a new show at MIT’s List Visual Arts Center, photographer Brittany Nelson draws romantic parallels between the quest to connect with intelligent extraterrestrial life and queer lived experience.
In a culture that demands constant visibility, availability and productivity from women, ritual and sacred space function as technologies of refusal - and as conditions for survival, creativity and self-possession.
I’m thrilled to announce my upcoming show featuring the work of ten Boston artists. Ritual Practice | Sacred Space opens at the Beehive in Boston’s South End on January 15, 2026.
Every year Misstropolis’ Annual Holiday Gift Guide delivers inspiration just when you need it most. It’s always a reader favorite, and for 2025 we’ve made it even better with selections from some of the East Coast’s top tastemakers. Anne Poole, Mel Robbins, Alisa Neely, Lisa Pierpont, and Tiffany Chu weigh in on their favorite gift ideas, offering selections from near, far, and even the future.
Inaugural recipients of the Wagner Foundation Art Fellowship L’Merchie Frazier and Daniela Rivera share their experiences venturing into the print studio with Lucy Rosenburgh of Caira Art Editions. Coming from their tactile, large scale, three dimensional and often participatory practices, both artists found expansiveness in the print experience, tapping into the medium’s history as a tool for public engagement and protest.
SMFA, MASS ART and BU host open studios on November 8. Come find the future stars you will want to collect before they price you out!
“She has absorbed all of art history like a sponge. But when she wipes the sponge across our consciousness, the message is all Danielle Joy McKinney.” Misstropolis sits down with Gannit Ankori, Chief Curator of the Rose Art Museum at Brandeis to discuss the artist’s first solo North American museum show Danielle McKinney: Tell Me More. The artist will be in conversation with the curator at the gallery on November 6.
This year, the Foster Prize, curated by Tessa Bachi Haas, recognizes four artists whose work addresses our current moment in deeply personal and uniquely technical ways. Through their artistic labor, Alison Croney Moses, Yorgos Efthymiadis, Damien Hoar de Galvan and Sneha Shrestha (aka IMAGINE) remind us of the power of art to bring us together, especially when the world seems to want to tear us apart.
Here it is, the last weekend of September 2025, and we haven’t seen all of the art yet. There’s always too much inspiration to soak in, too much beauty to behold and not enough time. But Misstropolis is here to guide you to the best. These don’t-miss shows will have you ending the month on a creative high note.
If all the world’s a stage, then it follows that one must dress for it. As Shakespeare’s character Jaques explains in As You Like It, we play many roles in life and make many entrances and exits. The Peabody Essex Museum’s stunning exhibition Andrew Gn: Fashioning the World has me thinking about life’s theatricality and the way we dress ourselves for our most public and consequential performances.
Andrew Gn: Fashioning the World makes its North American debut at PEM now through February 16, 2026.
Visual artist Evelyn Rydz was raised in Miami to Colombian and Cuban parents. Her body of work explores movement, migration, identity, climate and resiliency as understood through studies of water. In 2016, she launched a participatory community project called Comida Casera to bring people together from diverse backgrounds to share stories of immigration, food, and home. I was lucky enough to join a Comida Casera event at the deCordova Museum and Sculpture Park this August. I left with dozens of new friends and a deep gratitude for the timing of the event, given the censorship, erasure and violence faced by immigrants in America today.
The Safarani Sisters: Submerged in Time is a solo show of new work by the Iranian-born, Boston-based twin sisters. Ethereal and deeply moving, the show addresses themes of time, longing, celebration and the intangible nature of memory through the artists’ signature video-paintings. On view at ShowUp Gallery in Boston’s South End through September 28, 2025.
A comprehensive exhibition of work by the sculptor Ming Fay opened last week at the Isabella Stewart Gardner Museum. Edge of the Garden explores memory, cultural identity and connection to nature with over 100 objects from Fay’s abundant oeuvre. Misstropolis talks with Parker Fay, son of the great artist who passed away in February, about growing up in the studio, the exhibition and the importance of gardens to his remarkable father’s art and life.
At Arrival Art Fair in North Adams, MA a spirit of congeniality, persistence and hope spread from the art to the hearts and minds of participants and visitors alike. Again and again people remarked on the friendly, welcoming atmosphere. Over 30 galleries from across the U.S. participated, bringing a wide range of contemporary painting, sculpture, photography, design, textiles and furniture to the heart of the Berkshires.
In Part Three of our How to Triennial Series, we head to downtown Boston where the Triennial public art installations reflect today’s public mood of outrage and resistance. Challenging hegemonic untruths in Native histories, political apathy around youth homelessness, and unchecked violence against immigrants, these works are inspiring acts of protest in themselves.
